This work investigates the use of ceramic 3D printing as a tool for ecological design. Modular ceramic forms were developed using Grasshopper in Rhino and fabricated with Potterbot robotic arms. The work explores how digitally crafted substrates can support non-human habitats and contribute to biodiversity. Informed by ecological research, the forms integrate variation in texture and geometry to accommodate different species and environmental conditions.

In my exploration of textile arts, I’ve ventured into the world of knitting machines, where I’ve learned to create unique swatches that combine various techniques. Each piece is a reflection of the skills and creativity I've developed along the way. I’ve also embraced hand knitting as a more personal and tactile process, currently working on a sweater project that challenges my abilities while allowing me to experiment with different patterns and textures. For me, this journey is about more than just crafting—it's about connecting with the material and finding new ways to express creativity through texture and form.

My work with stained glass began as a curiosity and quickly became a meditative process of translating light, color, and form into something tangible. Each small-scale piece is both an experiment and a study—learning how glass behaves, how it catches light, and how it can tell a quiet story through shape and hue. I approach it much like architecture: considering composition, structure, and how something can evoke a feeling. These early projects reflect my hands-on exploration of material, balance, and craft—where mistakes become part of the language, and light is both medium and subject. 

This collection highlights creative explorations outside the realm of architecture—through collages, digital illustrations, and sketches. These works serve as a personal outlet for self-expression, and with time I've found myself leaning into bolder uses of color to evoke emotion, tone, and atmosphere. Color becomes a language of its own here, used not just decoratively, but as a tool to tell stories, capture moods, and express a more intuitive side of the creative process.

While I'm not a professional photographer, I deeply appreciate the art of capturing the world around me. Through my lens, I aim to preserve serene landscapes and quiet moments that evoke a sense of wonder and tranquility. It's not about perfection, but about finding beauty in the simplest scenes and sharing those moments with others. Each image is a personal reflection, inviting you to pause and experience the quiet magnificence of nature and life.